D610
Pros:
- From Nikon, which is a plus because I dropped $500 earlier this year on the SB910. My current camera is a DX (the D7000), so if I was going to jump ship to Canon, now would be time to do so, before I invest thousands in FX lenses and accessories from Nikon, but status quo is easier.
- More FPS than the D800. This is important because pets move around a lot, and running dogs can be really, really fast.
- Cheaper than the D800. A good FX entry camera.
Cons:
- Small AF sensor area. Basically the same sensor area as the D7000, but on an FX camera, so it'd look much smaller through the view finder. This is actually what made me decide to rent the D800. I never focus then compose, but always compose then focus. This means that I want the dog to be on the third lines and to be able to place the single point focus dot over the dogs eye. From what I read, this isn't possible with the D600 series.
D800
Pros:
- Better AF tracking, over the D600. Here is a great article showing how much better the D800 is than the D600 in AF.
- Nikon (see above for why).
- 36MP - both bane and blessing. Would be great for cropping.
Cons:
- 4 fps. So slow! Wasn't sure I'd be able to get any decent running shots with 4fps, but I figured the improved AF meant I'd need less shots to get one in focus.
- 36MP. This is the reason for the slow fps. Was worried about bogging down my computer and running out of space so quickly (I'm constantly fighting for those last GB on my hard drive - run out of space, delete old files, rinse, repeat).
- So many pixels demands good technique or very fast shutter speed to reduce blur from hand held shots.
Canon 5D Mark III
Pros:
- Okay, so I don't know much about canon but the BIGGEST reason I was contemplating switching is because almost every single one of my favorite pet photographers use canon, if not this exact camera. Then I found these Flying Dogs series by Frank Pham, using the D800, and that revived my hope.
- Has great quality, good fps, good AF. Really great reviews, this camera.
Cons:
- Required switching to Canon, which would be a pain. Plus, I don't want to jump ship just because at the current moment the slightly better camera happens to be a canon. I'm sure throughout the years Nikon and Canon will frog hop ahead of each other - I can't always toss my gear in the garbage and chase after the shiniest glint that catches my eye.
Summary
I decided to rent the D800 first, and if I liked it, I'd buy it. The 5DM3 is so so so tempting but I can't assume that just because there are fabulous and talented photographers using it that it would magically make my photos just as beautiful. There are only slight differences between the cameras and ultimately it comes down to who's behind the camera. Plus, it could be a correlation rather than a causation - maybe ten years ago Canon was the more professionally trusted brand, and maybe all the photographers I love have been in the business for awhile, hence their amazing photos and brand loyalty with Canon. Just a wild guess. :)
Anyway, perhaps I will become that amazing pet photographer using the Nikon D800. :)
First Impressions
A couple weekends ago my D800 rental arrived in the mail. It felt just right and was super easy to pick up on the new controls (well, except for the reversal of zoom in and out buttons. That took a bit of getting used to).
I rented by the 24-70mm and the 85mm 1.4D with it. I meant to rent the 85mm 1.4G but picked the wrong one by mistake. It didn't bother me though - I mainly wanted to test the focal length when using a studio backdrop. I had already rented the 1.4G earlier this year and knew I would buy that one, if any.
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| 24-70mm D800 |
I LOVED the 24-70mm. Previously I was using the 35mm on a DX and having so much more width to work with was awesome. I also dig the distortion effects with pets.
I still have a lot to learn. It's really easy to make blurry hand held photos with the D800 and I wasn't paying enough attention to my shutter speed on some of these. I never went to school for photography so I probably don't have the best hand holding technique.
Action
The action shots came out okay. Definitely better than my D7000 (where 90% of my actions shots were unusably blurry) and I think I could improve them with some more work. Crank up the ISO and shutter speed even more, pay more attention to a steady hand or even use a tripod. (I still haven't worked out the best aperture for action shots. I like a blurry background but a lower aperture would mean more chance of the whole dog being in focus.)
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| D800 24mm 2.8 1/1000 ISO 500 |
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| D800 60mm 2.8 1/1000 ISO 500 |
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| D800 62mm 2.8 1/1000 ISO 500 |
They aren't super crisp, but I'm not an action photography expert, so my technique could improve.
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| D800 240mm 5.6 1/400 ISO 800 |
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Those are all minimally processed and not cropped.
The funny thing is that my biggest concern for the D800 - the slow fps, didn't creep up once! I never had to wait for the buffer to clear, and I shot as fast as I normally do. After my rental, my biggest concern became the steady hand required for a sharp shot. But, it'll just give me something to work on. :)
85mm for Studio Shots
Before renting I was 95% sure I was going to buy this lens. I rented it over the summer for a wedding and I LOVED it, especially for kids.
The bokeh is beautiful and I am obsessed with beautiful bokeh.
But then I rented the D version for my studio shots and I knew right off the bat it wouldn't work. For my small studio spaces, even with an FX camera, I had to back up too much. Sometimes I need to be really close to the dog during studio shots - holding the dog still with one hand, getting ready to snap with the other, as soon as I pull my arm away. I'll get half a second for a shot before the jolly dog bounds forward.
Luckily I had great helpers so I was still able to snap some great shots, and it is a really great lens, just too much money for my purposes, and not versatile enough. Forget any top down head shots! I'd have more use for the 35mm if I was going to drop a lot of money. But the 24-70mm will do just fine.
Not to mention the D version had a tough time focusing accurately. I didn't think 1.4 would be too low since I'd be standing back so far, but it was. The "in focus" strip was so thin that more times than not, it wouldn't be on the eyes.
Conclusion
Come January 1st, I'll be ordering the D800e (if I'm already spending that much money, what's a few extra hundred for the "e" version?) and the 24-70mm nikon. Since I skipped the 85mm lens, I decided to splurge on the Genius package which includes a couple Einstein lights from Paul C Buff's. My lighting equipment just went from $100 to $1500. It's going to be a good year, I can feel it. ;)
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